The Indescribable Nth (Steve Moore, 1999)
A love story of a boy born with his heart inside of a snow globe. This award winning 1999 independent short was produced at Character Builders in Ohio.
The Frog, The Dog & The Devil (Bob Stenhouse, 1986)
Bob Stenhouse offers an animated ode to the "nation of drunkards" (as New Zealand was tagged in the House of Lords in 1838). Set in 1902, a shepherd tricks a Mackenzie barman out of a bottle of ‘Hokonui Lightning', but too much pioneer spirit sees him haunted by the devil's daughter (or a case of delirium tremens). The Chicago Tribune called the macabre humour and distinctive look "lushly conceived". It won the Grand Prize at the Hamilton International Animation Festival (1986) in Canada, and was nominated for a 1986 Oscar for Best Short Film (Animated).
(nzonscreen.com)
American Pop (1981)
Sony has been digging around its vaults and putting some treasures online, uncut even. And while I'm not a huge fan of American Pop it does have it's moments. The rotoscoping reminds me of Linklater's A Scanner Darkly. The story, covering generations through American history, is very much like Coppola's Godfather. The same year Disney would release The Fox and The Hound, which should give you a rough idea of where animation was at the time. Bakshi's last animated feature had been Lord of the Rings, which had had some mild success. There had been some expectation of more Tolkenesque movies and that certainly wasn't what American Pop delivered.
I do remember seeing American Pop on the VHS rental shelves back when I worked at the video store. And I recall it didn't get a lot of rentals. I know my first viewing didn't connect. I was a kid and American Pop bored me, which makes sense. American Pop is very much a movie aimed at an adult audience. Bakshi doesn't aim low here. He's not interested in holding your hand, even at the risk of losing you. If I can point to a problem with the movie I'd have to say it's the lead characters. By the time we get to the 70s and Pete the dope pusher I'm pretty much checked out. I just don't care if Pete gets that record contract. He's just not a likable guy and I can't find anything besides the music to relate to the guy. Or maybe that's the point.
Question. Do animation fans like this movie?
Be a Dentist
Love this movie. But why does it make me think of this:
Is there some secret message going on here?
What On Earth! (Les Drew/Kaj Pindal, 1966)
A team of Martian scientists conclude their study of the "earthing" and his way of life in this ducu-mated film!
Time to learn something
Interestingly enough (if you're into that sort of thing), Canadian rail-lines are why we now have time zones.
Walking (1968)
There is no rotoscoping or motion capture in this film. This was hand drawn by a person who understood how humans move.
There's some nudity, of the cartoon variety. Nothing worse than anything you'd see at an art museum.
Lightheaded
Lightheaded from Mike Dacko on Vimeo.
There's two ways to spread light in the world: be a candle or a mirror.
Or....
Cave Nudes!
Something I had the meaning to post last year to celebrate the 50th Anniversary of our Modern Stone-Age Family, but lost track of time and just had to remember it, so here you go (albeit, modified to leave more to the imagination)! Drawn by a little known drone of a former animation studio in the days before impressing millions with a tale about two lower life forms!
I watched this on purpose
The Monitors is now on instant view at Netwflix.
More...
I guess I was twenty minutes into this movie when I started to think about how to produce it on stage. It would have saved us from a lot of the annoying montages and flashbacks.
Harry is a pilot, who's had multiple confirmed kills during his career. He's hired to fly Barbara around for some film she's working on, but she's a douche about it and gets him fired. Peter Boyle gives Harry his last paycheck.
Harry lives at home with his annoying brother Max, who wants to be a comedian, and their mom, who watches TV. She watched Alan Arkin give a speech about how the Monitors are very clean and how sanitation workers are treated better.
The Monitors are very nice guys in black turtle-necks and bowler hats who are in charge of everything. Barbara works for them on the side and is trying to recruit Harry.
A street-preacher starts a riot and the Monitors break it up with sleepy-spray, knocking out Max. Harry and Barbara drag Max off, but Harry hits a Monitor with sleepy-spray, so he's a wanted man now. The street-preacher is actually part of an underground movement to overthrow the Monitors and kidnaps everyone (at gun-point) into his incredibly large car, while quoting Thomas Jefferson. They drive a car off the road and Harry jumps out to save the occupants (Monitors) and is captured.
Harry is put in an education camp, where he meets Mona, who shows him how to escape. Barbara is threatened by Mona and takes Harry to bed. He finds out she's working for the Monitors and gets pissed off. Barbara, Mona, Max, and Harry steal a helicopter and go see the president, who is lame.
The general of the anti-Monitor organization is tied up by a colonel and they steal a bomb. Harry activates the bomb and flies it to the Monitor headquarters with Barbara in tow.
The Monitors explain how everyone sucks and how they will die, but not kill. The bomb is a dud. The Monitors leave, the president is placed back in power, and there's a war. The end.
I have to say, you don't get the sense that the Monitors are aliens until the last few minutes. They're just guys who took over and are nice to everyone. The most jarring thing about the movie are the radio-jingles that talk about how great the Monitors are. When they leave, it's very sudden.
This is a preachy film with a lot of very good people in minor roles and very minor people in big roles. There are flashbacks that have no business being there. The pacing is weird. The music gets annoying.
I would say "watch it" only to say you have. You can fast-forward large parts, but I'd love to see it re-edited into a shorter and more effective film.
Mystery Men (1999)
I'd never seen the trailer before. If you've never seen this movie I highly recommend it.
DINOSAURS! A Fun-Filled Trip Back in Time!
Featuring Fred Savage and the animation of Will Vinton!
Never did see this tape back then, but I can see how it impressed plenty.
When Amateur Video Was Young!
Before the days of the great VHS/Beta wars,you had other competitors in the ranks, going at it until each of 'em perished in the great consumer/industrial video war that was still in it's infancy.
More...
All you need now was to figure out the process, and Philips strove to give that in this demonstration video they gave away with their own format, the Video 2000! Very Euro-friendly so everyone can understand!
Inside/Out
Having lived through that period when stuff like this still find mileage in the 80's, it's fun looking back on these weird pieces of edu-public-TV crap they played during school on PBS stations across the country (before PBS Kids took over). Kinda miss not having a 15 minute piece that ends in a unresolved cliffhanger (since that was reserved for classroom discussion if schools still bother). Thrill to the drama, the action and pathos brought to us by the National Instructional Television (now Agency for Instructional Technology) with additional support from the Exxon Corporation!
"Does it toot? It's cute!"
I present this cute little bit of bohemian audio.
Mel Henke - "The Lively Ones"
Mel Henke - "The Lively Ones"
Women's Boots
What is up with girls and shoes? They seem to buy and collect shoes even if they won't be able to wear them regularly. But I guess that is just how it is. So if you want to go shopping for shoes, sandals, slippers, womens boots and more, there's no other place to look for online than the shoemall.com. They have all that you'll need from different brands from around the world.
Panel OF DOOM! Report: Genericon 2011
Genericon is a anime/gaming/general geekery college convention in upstate NY that's been run by students/alumni for 24 years. This year, they flew me out as a guest, and DOOM came along for the ride...
(I tried to have the rest of this post be after a cut, but it didn't work because I suck)
Although I was born in Boston and grew up in upstate New York--Rochester, to be precise--I moved to Florida when I was 10 (man, twenty years ago?) and have stayed there ever since. In fact, the only times I've ever been back to my old stomping grounds have been for anime conventions. The East Coast was being assailed by a serious cold front for the entire week prior to the convention, with snowstorms and the like causing numerous flight delays. As such, while I can count the number of times I've seen fallen snow since coming to Florida on one hand, this actually marked the first time since I was a child that I saw actual snowfall. Gotta say: snow's pretty darn awesome...as long as you don't have to shovel it and can retreat into a heated car or building once you start losing feeling in your extremities.
I didn't exactly have any heavy-duty winter gear, but as I predicted it didn't much matter: much like living in Florida, the goal is to minimize your time outdoors such that you're only out there when going in between your car and a building. The college con experience is not one I've had in several years, as the once-deluge of Florida anime conventions have now mostly become "media" cons.
One look around revealed a "college life" that I thought only existed in the realm of television and movies; this world of student dormitories with entire floors reserved for the anime enthusiasts [to isolate them...?] was a far cry from my commuter college experience. I felt slightly jealous of it all, doing my best to conceal the fact that I was about 1 to 1.5 decades older than the majority of the attendees. College anime cons have all but vanished from the once-crowded Florida anime landscape (reflecting geek trends, they're all "media" cons now with some anime on the side), and so I must confess: I was ill-prepared for the first Panel OF DOOM! for the year as far as on-site promotion was concerned. Hotel and convention center cons tend to strongly frown upon non-upper level staffers putting up flyers of any sort anywhere, but those rules don't fly in college land. Luckily, the con guide did feature the writeup I supplied them, though I overheard one attendee saying that there was no way they'd go to a "Panel OF DOOM" because "OF DOOM" was such an out-of-date phrase. Perhaps they're right. Over the last...er, eight years?...I've occasionally given consideration to changing the name--giving it a "something Hell" title to match up with the rest of us--but I'm not sure it's necessary. That said, having a panel with "Panel" in the name has always sort of bothered me.
Genericon is held at Rensselaer Polytechnic Institute, the oldest technological university in the United States. The panel room in which I was situated was basically the PERFECT mood setter; a college auditorium-style lecture room outfitted with a thoroughly bizarre mish-mash of 1970s technology and modern day. Overhead transparency projectors, molded plastic chairs that only partially swiveled out, CRT monitors built into the lectern, and weird giant silver balls hanging from the ceiling that for all I knew would arc static electricity lightning at the push of a button sat right alongside a wall of fancy LCD HDTVs that were all disabled for the weekend. I never found that lightning bolt button, but I did find that the CRT monitors were wired up to a closed circuit surveillance system for the room, meant so professors could see when students were sneaking in late or trying to cheat!
Prior to my requested start time of Saturday at 7 PM--opposite cosplay and the formal ball, which is exactly where I want to be--I did a tech dry run with some of the A/V guys to figure out the systems by which I would have control over lights, video and sound. Everything was all set to go...or so it seemed. Being a small college-run convention subject to high staff turnover each year, there was nothing stopping the various other people using the room between my technical check and panel start from disconnecting every single thing in the room for the sake of connecting their own video setup, speaker system, microphones, and what have you. Nor was there an easy way to track if someone took the room-designated audio equipment to another room and locked them away. So when I got to the room ready to instantly switch over to DOOM...everything was gone. The cables connecting and powering the projector, the microphones, somewhere for me to sit down, you name it.
To their great credit the Genericon staff were able to help me out as fast as anyone could've possibly managed in that scenario, but I still lost about 30 minutes out of my allotted 2 hour block to that. Still, once we got rolling, I found an opportunity to reuse some of the classic standbys that are at this point "played out" on the traditional Hell territories. So this year, I got to bring back some of my dear favorites from years long past such as The Special Picture, Christopher Walken the Prankster, and (who else) Ivan the Red. Although Genericon is more sci-fi/gaming than anime, I've been dead-set on making sure my shows have a substantial amount of anime to them. To this end I've found that Science Ninja Team Gatchaman is one of the best series there is when it comes to pulling wacky 2 minute clip after clip after clip. My recurring theme which began at AWA was "Professor Nambu is a DICK" and that's probably the easiest picture of all to paint. I can't directly gauge the effectiveness of Hell/DOOM at getting people to watch classic anime, but showing people the bit from season 2 of Star Blazers where the Comet Empire kills all the dinosaurs then blows up the planet before noting "and you can see this cartoon for yourself in the video rooms of THIS VERY CONVENTION!" is about as good a sell for Star Blazers as I can think of until the SyFy Channel broadcast kicks off. Experimental Osamu Tezuka shorts, anime beer commercials (Suntory and Murphy's Irish Stout are my go-tos), anime cell phone ads, Black Jack and Dr. House, and the like keep things mostly in the realm of Japanese pop culture.
The Godfrey Ho/Joseph Lai pool is a near limitless source of comedy, but lately I've started to dig deep into the fountain of plenty that is Action International Pictures. AIP is great because virtually none of their catalog of B-grade and below action and sci-fi pictures were ever released on DVD, and because they were an independent get little to no play time on cable. Their most well-known movie is probably Space Mutiny thanks to the MST3K episode, but outside of the Everything is Terrible set, NOBODY knows about these movies. The AIP film I've picked as my go-to for this year's DOOM run is Deadly Prey, another Most Dangerous Game-type tale featuring a lead actor who...well...here's a compilation video courtesy of EiT that actually doesn't scratch the surface. Some enterprising folks have taken it upon themselves to digitally archive all their stuff, but as a good starting point I recommend "That's Action," a feature-length "best-of" compilation they put out in the early 90s.
Between the technical difficulties and the fact that it was a first-time outing for such a panel at the convention, I didn't pack the place to capacity but I got a respectable turnout. They originally had me in the main events room which seats 1400, and as nice as it is to run in the big room, the content of Hell and Hell-type events just aren't an appropriate fit for the 10 AM Sunday timeslot. Fortunately, my change request was granted!
All in all, Genericon was a good way for me to start off 2011's Panels OF DOOM!. I'm not sure if I should look into getting some silly flyers made up for future events. As smartphones become more commonplace I might just be getting more mileage out of using Twitter and hashtags in 2011 when it comes to on-site publicity of panels. That'll be the experiment for this year, I think.
Right now it looks like my next showings will be at Anime Boston as I once again cohost Anime Hell with Mike and Mike! See you then!
(I tried to have the rest of this post be after a cut, but it didn't work because I suck)
Although I was born in Boston and grew up in upstate New York--Rochester, to be precise--I moved to Florida when I was 10 (man, twenty years ago?) and have stayed there ever since. In fact, the only times I've ever been back to my old stomping grounds have been for anime conventions. The East Coast was being assailed by a serious cold front for the entire week prior to the convention, with snowstorms and the like causing numerous flight delays. As such, while I can count the number of times I've seen fallen snow since coming to Florida on one hand, this actually marked the first time since I was a child that I saw actual snowfall. Gotta say: snow's pretty darn awesome...as long as you don't have to shovel it and can retreat into a heated car or building once you start losing feeling in your extremities.
This probably gets old really fast, but I went out of my way to make this happen.
I didn't exactly have any heavy-duty winter gear, but as I predicted it didn't much matter: much like living in Florida, the goal is to minimize your time outdoors such that you're only out there when going in between your car and a building. The college con experience is not one I've had in several years, as the once-deluge of Florida anime conventions have now mostly become "media" cons.
This is not something I'm accustomed to seeing.
One look around revealed a "college life" that I thought only existed in the realm of television and movies; this world of student dormitories with entire floors reserved for the anime enthusiasts [to isolate them...?] was a far cry from my commuter college experience. I felt slightly jealous of it all, doing my best to conceal the fact that I was about 1 to 1.5 decades older than the majority of the attendees. College anime cons have all but vanished from the once-crowded Florida anime landscape (reflecting geek trends, they're all "media" cons now with some anime on the side), and so I must confess: I was ill-prepared for the first Panel OF DOOM! for the year as far as on-site promotion was concerned. Hotel and convention center cons tend to strongly frown upon non-upper level staffers putting up flyers of any sort anywhere, but those rules don't fly in college land. Luckily, the con guide did feature the writeup I supplied them, though I overheard one attendee saying that there was no way they'd go to a "Panel OF DOOM" because "OF DOOM" was such an out-of-date phrase. Perhaps they're right. Over the last...er, eight years?...I've occasionally given consideration to changing the name--giving it a "something Hell" title to match up with the rest of us--but I'm not sure it's necessary. That said, having a panel with "Panel" in the name has always sort of bothered me.
Genericon is held at Rensselaer Polytechnic Institute, the oldest technological university in the United States. The panel room in which I was situated was basically the PERFECT mood setter; a college auditorium-style lecture room outfitted with a thoroughly bizarre mish-mash of 1970s technology and modern day. Overhead transparency projectors, molded plastic chairs that only partially swiveled out, CRT monitors built into the lectern, and weird giant silver balls hanging from the ceiling that for all I knew would arc static electricity lightning at the push of a button sat right alongside a wall of fancy LCD HDTVs that were all disabled for the weekend. I never found that lightning bolt button, but I did find that the CRT monitors were wired up to a closed circuit surveillance system for the room, meant so professors could see when students were sneaking in late or trying to cheat!
The ideal HELL environment? That's the Reverse Thieves up front.
Prior to my requested start time of Saturday at 7 PM--opposite cosplay and the formal ball, which is exactly where I want to be--I did a tech dry run with some of the A/V guys to figure out the systems by which I would have control over lights, video and sound. Everything was all set to go...or so it seemed. Being a small college-run convention subject to high staff turnover each year, there was nothing stopping the various other people using the room between my technical check and panel start from disconnecting every single thing in the room for the sake of connecting their own video setup, speaker system, microphones, and what have you. Nor was there an easy way to track if someone took the room-designated audio equipment to another room and locked them away. So when I got to the room ready to instantly switch over to DOOM...everything was gone. The cables connecting and powering the projector, the microphones, somewhere for me to sit down, you name it.
To their great credit the Genericon staff were able to help me out as fast as anyone could've possibly managed in that scenario, but I still lost about 30 minutes out of my allotted 2 hour block to that. Still, once we got rolling, I found an opportunity to reuse some of the classic standbys that are at this point "played out" on the traditional Hell territories. So this year, I got to bring back some of my dear favorites from years long past such as The Special Picture, Christopher Walken the Prankster, and (who else) Ivan the Red. Although Genericon is more sci-fi/gaming than anime, I've been dead-set on making sure my shows have a substantial amount of anime to them. To this end I've found that Science Ninja Team Gatchaman is one of the best series there is when it comes to pulling wacky 2 minute clip after clip after clip. My recurring theme which began at AWA was "Professor Nambu is a DICK" and that's probably the easiest picture of all to paint. I can't directly gauge the effectiveness of Hell/DOOM at getting people to watch classic anime, but showing people the bit from season 2 of Star Blazers where the Comet Empire kills all the dinosaurs then blows up the planet before noting "and you can see this cartoon for yourself in the video rooms of THIS VERY CONVENTION!" is about as good a sell for Star Blazers as I can think of until the SyFy Channel broadcast kicks off. Experimental Osamu Tezuka shorts, anime beer commercials (Suntory and Murphy's Irish Stout are my go-tos), anime cell phone ads, Black Jack and Dr. House, and the like keep things mostly in the realm of Japanese pop culture.
The Godfrey Ho/Joseph Lai pool is a near limitless source of comedy, but lately I've started to dig deep into the fountain of plenty that is Action International Pictures. AIP is great because virtually none of their catalog of B-grade and below action and sci-fi pictures were ever released on DVD, and because they were an independent get little to no play time on cable. Their most well-known movie is probably Space Mutiny thanks to the MST3K episode, but outside of the Everything is Terrible set, NOBODY knows about these movies. The AIP film I've picked as my go-to for this year's DOOM run is Deadly Prey, another Most Dangerous Game-type tale featuring a lead actor who...well...here's a compilation video courtesy of EiT that actually doesn't scratch the surface. Some enterprising folks have taken it upon themselves to digitally archive all their stuff, but as a good starting point I recommend "That's Action," a feature-length "best-of" compilation they put out in the early 90s.
Between the technical difficulties and the fact that it was a first-time outing for such a panel at the convention, I didn't pack the place to capacity but I got a respectable turnout. They originally had me in the main events room which seats 1400, and as nice as it is to run in the big room, the content of Hell and Hell-type events just aren't an appropriate fit for the 10 AM Sunday timeslot. Fortunately, my change request was granted!
All in all, Genericon was a good way for me to start off 2011's Panels OF DOOM!. I'm not sure if I should look into getting some silly flyers made up for future events. As smartphones become more commonplace I might just be getting more mileage out of using Twitter and hashtags in 2011 when it comes to on-site publicity of panels. That'll be the experiment for this year, I think.
Right now it looks like my next showings will be at Anime Boston as I once again cohost Anime Hell with Mike and Mike! See you then!
Mr. Midnight
Tom Waits said that if you woke up in a strange hotel and picked up the phone, Ken Nordine would answer.
More...
Ken Nordine is the best thing that will ever happen to you.
I am a total fan.
Hey hey hey
I know I usually post an Avon video, but this is pretty sweet. The music alone is worth it.
I think she looks kinda like Pee Wee Herman.
Misery shared is misery halved.
My pencil...it's trying to get up my nose into my brain....
It's like a drinking game! How far into this can you last?
Pokemon Best Wishes episode - 19 + 20
Japanese | Subtitle: English | 0:24:04 | 704 x 400 | AVC1 (24fps) | MKV | 60 MB |
Genre: Adventure, Comedy, Sci-Fi, Shounen
NEXT
Bakuman episode 21
Japanese | Subtitle: English | 0:24:30 | 704 x 400| AVC1 (24fps) | MKV | 60 MB
Genre: Comedy, Drama, Romance, School, Shounen
NEXT
I'lll dream about this. More later.
Look out, horse! They don't shoot a locomotive when it loses a wheel!
Battle Angel Alita wallpapers
new Battle Angel Alita wallpaper
Battle Angel Alita
Battle Angel Alita wallpapers
Bladerunner
BLADE RUNNER revisited >3.6 gigapixels from françois vautier on Vimeo.
I'm not looking forward to the prequel, or sequel, or whatever.
(Watch that in full-screen for the proper effect.)
Faery Legends of Avalon Impression
Downloadable role-playing action waits on PSN
Role-playing games are not for everyone. They usually require hours of gameplay with tons of character management and customization and days of turn-based battles. The hook is usually a deep story where gamers know and care for the characters and settings during the course of such a long journey. Faery: Legends of Avalon looks to crack, no break, but crack this mold as an RPG download experience on both the PlayStation Network and Xbox LIVE Arcade. The first biggest change is the hours invested, usually clocking in around 10-15 hours (main quest) but what else? What should RPG fans get excited about and does Faery offer enough to hook new non-RPG gamers? Let’s take a look.
Gameplay – Gamers make the choice, become an Elf or Fairy and begin a journey to take on evil in the land. The chosen character will advance and evolve in battle and gamers make the choice on how to strengthen their main character and party members. Standard RPG formula here with a story seeing the magic of the fae world fading and gamers tasked with finding out why. Battles are turn based with the story being advanced through tons of reading. This is old school RPG as there is no voice work in-game. Conversations determine relationships so tread carefully on who you alienate as it could come back to haunt you later in-game.
Graphics – A very pretty looking game but don’t expect to see tons of unique characters. Heroes and baddies alike recycle look and feel. The environments look nice with bright visuals mixed with dark and gloomy settings. The over world detail is solid and continues into each battle sequence, very well done. The game will not hurt the retinas and is a solid effort as a downloadable title.
Sound – It’s not Final Fantasy in scope but the music matches the look and feel. Soothing and gentle, guiding the gamer is the core of the music but enter battle and the beat steps up. In an RPG good music is expected and Faery gets the job done
Design – The conversation relationship tree is well done and the leveling up / customization for each character is deep. The overall RPG formula hits on almost every cylinder with the one exception being the caring for characters. For a downloadable RPG Faery is solid but there is no connection forged with these characters and their story. It’s a fun tale but not a memorable one.
Miscellaneous – Episodic games are a mixed bag. There is price to consider but also time invested. With more Faery to come will gamers find enough in Legends of Avalon to make that next purchase at the same price?
Overall Faery: Legends of Avalon is one solid RPG that sports a decent price point and shows new gamers what RPG’s are all about and will feel welcome and familiar to fans of the genre. Gamers can go the route of looking for older RPG’s being made for download or they can take a fresh approach with a title that offers good customization and an interesting conversation tree for relationship building. Go with something new gamers.
Catherine on PS3 and Xbox 360 from Atlus
Get excited, get very, very excited for the mature, psychological and downright gorgeous looking game Catherine from Atlus U.S.A.
Catherine looks amazing but it’s the story this Atlus U.S.A. title brings to both PlayStation 3 and Xbox 360 that should get gamers jazzed. The screenshots and teaser video show off a game that sports a mature romance thriller story wrapped in great looking HD animations. The few game sequences seen don’t disappoint but it’s the story that is exciting to see. The tale of Vincent and his love triangle with Katherine and Catherine is mature, seductive and quite thrilling in its look and content. A truly mature title that’s not over the top for the fun of it but rather to make this a truly unique experience. The game looks naughty and should make gamers blush a bit in content, but this is all based on the game description, image and video. Keep an eye on this one, it should be quite interesting.
Check out the images and video and here is more from Atlus on Catherine …
“About Catherine: Vincent likes his girlfriend. Katherine's pretty, smart, and successful. Trouble is, she's starting to talk about long-term commitment, something Vincent's spent his entire life avoiding. Since romantic complications are the last thing he wants to deal with, Vincent meets his friends for their regular night of drinks. Little does he know that he's about to be blindsided by a beautiful, seductive, irresistible freight train named Catherine. Suddenly, he's hung over in bed next to the most beautiful woman he's ever seen, unsure about the previous night's events. Was it just making out, he wonders, or did something more serious happen between them? Should he tell Katherine? Will he ever see Catherine again? Vincent's about to find that a stumble on the staircase of love can turn into a horrific, fatal plummet...”
… And here’s more on the gameplay features …
- The Horrors of Love - Vincent's waking fears, doubts, pressures, and growing guilt about commitment and fidelity now gleefully follow him into his dreams, manifesting as horribly disfigured monsters and a ticking clock.
- Between a Rock and a Soft Place - The player must navigate Vincent through heavy moral decisions. As in real life, hardly anything is black and white. What is the value of honesty? What is the right thing to do? Either way, someone's going to get hurt. Worse yet, someone could die.
- The Nightmare of Your Dreams - Under the watch of producer Katsura Hashino, acclaimed director of Persona 3 and Persona 4, famed character artist Shigenori Soejima and master composer Shoji Meguro create sights and sounds unlike anything else. As unforgettable and original as the game's narrative, Catherine's visual direction and musical score define and perfectly complement Vincent's terrifying ascent into the dizzying perils of love.
- Escape With or From a Friend - Local competitive and cooperative multiplayer modes, in addition to leader boards, ensure that the many thrills and horrors of racing through twisted stages can be enjoyed by more than one player and add hours of extra gameplay to the overall experience.
It's not that bad
John Callahan became a quadriplegic in an auto accident at 21.
Knowing things could never get worse, he became a cartoonist.
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